Contracts and Copyright: Contemporary Musician Income Streams
K García - 2020 - academic.oup.com
2020•academic.oup.com
Musicians typically earn revenues from two sources: copyright law and contract. The
proportion of revenue derived from each of these sources varies from artist to artist, but an
understanding of the general distribution of earnings from each source is useful when
considering proposed legislative amendments. Through a series of qualitative interviews
with working musicians, this article contributes to the ongoing conversation around
copyright's import to, and impact on, musician revenue at different career stages.
proportion of revenue derived from each of these sources varies from artist to artist, but an
understanding of the general distribution of earnings from each source is useful when
considering proposed legislative amendments. Through a series of qualitative interviews
with working musicians, this article contributes to the ongoing conversation around
copyright's import to, and impact on, musician revenue at different career stages.
Abstract
Musicians typically earn revenues from two sources: copyright law and contract. The proportion of revenue derived from each of these sources varies from artist to artist, but an understanding of the general distribution of earnings from each source is useful when considering proposed legislative amendments. Through a series of qualitative interviews with working musicians, this article contributes to the ongoing conversation around copyright’s import to, and impact on, musician revenue at different career stages.
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