… of choreographic operations. This, I will argue, is a crucial defining feature of dancefilm and
is … in understanding the key element of movement that links the two forms of dance and film. …

… dancefilms under consideration in this book have been carefully chosen to demonstrate the
impact that choreography … dancers and choreographers embracing the moving image in their …

… Dance – or rather the composition of movement – can also manifest itself as a sequence of
moving images or as a montage of several image surfaces; as a choreography of images in …

… of dance and film produces cine-choreographic practices and gestural circuits of exchange
that are specific to the dancefilm … Can we determine where the dance ends and the dancefilm …

… to show why my definitions of motion picture dance are not an … a broad category of
moving-picture dance just because I think … distinguish cine-dance from a straight dance film. When …

… insists, that dance in dancefilm musicals is substantively different from dance in stage-based …
us from the outset, is why she avoids a discussion of dance documentation entirely (ix). The …

… cinematic medium ultimately dictate the rendering of the art of dance, and screendance or
dancefilm practices, in which cinema and dance are placed in a more even hierarchy, both in …

… space and contains dance and moving images (Cheng, 2018). Dance transforms body …
Martha Graham launched the famous original dance film A Dancer and The World opened a …

… film as a dance film. All films take images of action and try to put these images together in a
… In this sense, film and dance work along the same lines. (David Hinton, quoted by Williams, …

… in every aspect of the dance film collaboration: choreographers, directors, … motion.
Whether a documentation tool, a study aid, or a creative medium, the recorded moving image …