Of all the arts in the Sundanese tembang family, the existence of the Cianjuran game is better known by the Sundanese people, seen from the regeneration process. One of the songs that standardizes the ability of an interpreter mamaos (singer) is the song Sebrakan Sapuratina laras salendro, which is included in the Wanda Kakawen and is a very complex song, judging by the number of dongkaris, long songs, and modulation (shifting of surupan/laras). The purpose of this article is to describe the analysis of the Tembang Sunda Cianjuran dongkari in the song Sebrakan Sapuratina. To examine this problem, the researcher uses the theory of Antagonistic Dualism found by Jakob Sumardjo, known as the Tritangtu concept (Triple Pattern). This theory is used as a basis for researchers to think in answering the problem of why dongkari is the main aspect in bringing the Tembang Sunda Cianjuran. There are 18 kinds of dongkari in the Tembang Sundanese Cianjuran. Most of the dongkari in the song Sebrakan Sapuratina are dongkari rante, cacag, riak, jekluk and gedag. The researcher uses a qualitative paradigm with a descriptive method so that researchers can describe how the Dongkari analysis in the song Sebrakan Sapuratina is used. Data collection was obtained using interview techniques, observation, literature study and documentation study. Data analysis was carried out through triangulation and the results of this study are expected to be useful in studying and exploring the dongkari in the songs in the Tembang Sunda Cianjuran.