Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don
Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they …

… Given that (as far as I know) Swift leaves Gulliver's eye colour indeterminate, we are authorized
or permitted to fill in this aspect of the fictional world as we desire.Footnote 4 In short, we …

… true within a given fictional world. We first tested the basic hypothesis … fictional worlds are
based on the real world. Assuming that some real-world facts are imported into fictional worlds, …

… in fictional worlds. Since real world novels, plays, paintings, and so forth are what determine
what happens in fictional worlds, we can affect fictional worlds to whatever extent the nature …

… Danny the Champion of the World is among the greatest books … the fictional worlds in which
we grow up shape the real worlds … When I reflect upon the fictional worlds to which I aspire, I …

… This article considers three key questions about fictional worlds: What is the process of
constructing fictional worlds? How might this process differ across the range of applications to …

… mind than immersing itself in a fictional world. Some works, … critical distance from the fictional
world. But immersion remains … these properties not only for fictional worlds that exist in the …

… wants to understand the specificity of fictional worlds. In the mam part of … fictional worldmakmg;
I will conclude my essay with a very brief sketch of some of the functions fictional worlds …

… -worlds semantics claims that fictions are possible worlds, but… worlds of logical semantics
are complete, but fictional worlds … formulated the possible-worlds semantics of fictionality from …

… that the fictional world or being shares with the real world as we know it. The truth value of
fictional utterances depends not solely on their possible verification in the observable world, …