I n 2015, Angolans were shocked by the airing of an episode of the American reality television show Say Yes to the Dress. 1 The show generally follows a set script where an enthusiastic, but nervous, bride, accompanied by close friends and relatives, frequents an upscale bridal store in order to find her dream dress. The ultimate aim, of course, is to ‘say yes to the dress’, a moment that is usually accompanied by gasps, tears and smiles from the bride and her party as they see her in ‘the dress’ for the first time and imagine her perfect wedding and happy future. Everything seemed to be going perfectly to script when Say Yes to the Dress followed the wedding party of Naulila Diogo, daughter of the then Angolan Minister of Territorial Administration, Bornito de Sousa, 2 as she arrived at the exclusive New York City-based bridal boutique Kleinfeld, accompanied by her mother and bridal party to purchase nine Pnina Tornai dresses. Two were for her, each decorated with hand-stitched Swarovski crystal details and additional luxuries, such as French lace and a tulle skirt that took 300 hours to make. Her mother had a hand-dyed pink dress, also with hand-stitched crystal details. The episode described Diogo as ‘Angolan royalty’and gushingly explained that the over-US $200 000 bill that she had footed for the dresses was the most anyone had ever spent on the show. Diogo explained that she wanted her wedding of 800 people to be ‘bigger and better’than any of the other weddings she had attended. Between the crystals, attendants and multiple dresses, it was a veritable orgy of conspicuous consumption, tied up in reality-television