The high consumer interest in Pengosekan’s flora and fauna paintings of the 1980s was one supporting factor for representing this painting in several arts and crafts in the Gianyar region. The craft representing themes, techniques, and visual objects of Pengosekan’s flora and fauna painting, is the art of batik craft in Ubud district. This research reviews explicitly the process of this representation, the underlying factors, and the socio-economic impacts on the supporting community. This qualitative research uses aesthetic and representation theories to uncover research problems. The results show that the visual objects of Pengosekan’s flora and fauna paintings are represented in batik art products in Ubud district, as seen in themes, techniques, and visual objects attached to these batik art products. The representation is influenced by the painting image of Pengosekan’s flora and fauna as a trendsetter of art products. Moreover, it is also supported by the artisans’ motivation to create innovative forms of their products. Some of these factors are inseparable from the influence of tourism development and the developed market at that time.