Theses on the philosophy of Hollywood history
M Smith - Contemporary Hollywood Cinema, 2013 - api.taylorfrancis.com
Contemporary Hollywood Cinema, 2013•api.taylorfrancis.com
Theses on the philosophy of Hollywood history … While Elsaesser maintains that these films
retained an underlying architecture drawn from the genre film, as well as the emotional punch
characteristic of Hollywood films throughout their history, his argument implies that the period
marks a fundamental break with the classical Hollywood cinema. The new prominence of
'marginal' audiences for Hollywood, along with the critical and cynical attitudes ascribed to
these groups, undermined the 'can do' ideology which Elsaesser argued was implicit in …
retained an underlying architecture drawn from the genre film, as well as the emotional punch
characteristic of Hollywood films throughout their history, his argument implies that the period
marks a fundamental break with the classical Hollywood cinema. The new prominence of
'marginal' audiences for Hollywood, along with the critical and cynical attitudes ascribed to
these groups, undermined the 'can do' ideology which Elsaesser argued was implicit in …
At one time, the main tools necessary for picture-making were a megaphone, a strong cranking arm, and a plot. Only the last has resisted change.
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