Musical instruments are not static and neutral technological objects, but objects we shape
through our designing and performing practices. Along these lines, various authors have …

This paper considers the relationship between design, practice and research in the area of
New Interfaces for Musical Expression (NIME). The author argues that NIME practitioner …

Practice-based research in NIME is rooted in the practices of design and musical
performance. Perspectives from HCI on the relationship between design and research …

This article advocates for a dialogue about research traditions and paradigms within the
community around New Interfaces for Musical Expression (NIME). Although the research …

This paper argues for symmetrical consideration of new musical instrument/interface1
design and creative musical practice. In NIME research, music as an art-form is often spoken …

Understanding the question of what makes a good musical instrument raises several
conceptual challenges. Researchers have regularly adopted tools from traditional HCI as a …

Nearly two decades after its inception as a workshop at the Association for Computing
Machinery Conference on Human Factors in Computing Systems, New Interfaces for …

This paper presents an approach to practice-based research in new musical instrument
design. At a high level, the process involves drawing on relevant theories and aesthetic …

This thesis collects a series of publications that all present work where digital musical
instruments (DMIs) played a central role. While the papers focus on the individual projects …

This paper describes the 10,000 Instruments workshop, a collaborative online event
conceived to generate interface ideas and speculate on music technology through open …