The term 'NIME'-New Interfaces for Musical Expression-has come to signify both technical
and cultural characteristics. Not all new musical instruments are NIMEs, and not all NIMEs …

While the value of new digital musical instruments lies to a large extent in their music-
making capacity, analyses of new instruments in the research literature often focus on …

In this paper, we reflect on the focus of “newness” in NIME research and practice and argue
that there is a missing O (for “Old”) in framing our academic discourse. A systematic review …

This article advocates for a dialogue about research traditions and paradigms within the
community around New Interfaces for Musical Expression (NIME). Although the research …

The ideation, conception and implementation of new musical interfaces and instruments
provide more than the mere construction of digital objects. As physical and digital …

This paper provides an overview of the process of editing the forthcoming anthology" A
NIME Reader-Fifteen Years of New Interfaces for Musical Expression." The selection …

This paper discusses practice-based research in the context of live performance with
interactive systems. Practicebased research is outlined in depth, with key concepts and …

The maturation process of the NIME field has brought a growing interest in teaching the
design and implementation of Digital Music Instruments (DMIs) as well as in finding …

Live music making can be understood as an enactive process, whereby musical
experiences are created through human action. This suggests that musical worlds coevolve …

This paper introduces various ways that idiomatic gestures emerge in performance practice
with new musical instruments. It demonstrates that idiomatic gestures can play an important …