Examination of the cortical auditory evoked potentials to complex tones changing in pitch
and timbre suggests a useful new method for investigating higher auditory processes, in …

Middle‐latency auditory evoked potentials, indicating early cortical processing, elicited by
pitch changes and repetitions in pure tones and by complex tones with a missing …

Objective: To examine the hypothesis that auditory evoked potentials (AEPs) to pitch and
timbre change of complex harmonic tones reflect a process of spectral envelope analysis …

Objectives: To examine whether two cortical processes concerned with spectro-temporal
analysis of complex tones, a 'C-process' generating CN1 and CP2 potentials at cf. 100 and …

In this study, synthesised instrumental tones were used to examine human auditory cortical
processes engaged at the end of a period of rapid pitch modulation. It was previously [SJ …

The effects of musical training on the early auditory cortical response to pitch transitions in
music were investigated by use of the change‐N 1 component of auditory event‐related …

Objective: We measured late cortical potentials in a psychophysical procedure for binaural
unmasking of a dichotically-embedded pitch. Methods: Late-latency auditory evoked …

In order to assess higher auditory processing capabilities, long-latency auditory evoked
potentials (AEPs) were recorded to synthesized musical instrument tones in 22 post …

We report enhancement of the 100 msec deflection N100m of the auditory evoked magnetic
field in paired-stimulus paradigms. Noise bursts of 50 msec duration were delivered in pairs …

The effects of the stimulus repetition rate over the habituated auditory cortical evoked
responses were studied. The stimulation pattern consisted of trains of pure tone bursts with …