This paper discusses practice-based research in the context of live performance with
interactive systems. Practicebased research is outlined in depth, with key concepts and …

To engage with questions of musicality is to invite into consideration a complex network of
topics beyond the mechanics of soundful interaction with our interfaces. Drawing on the …

Live music making can be understood as an enactive process, whereby musical
experiences are created through human action. This suggests that musical worlds coevolve …

This paper deals with the question of how the development of new musical artifacts can
benefit from deeply engaging with contemporary musical practice. With the novel ideas …

This article advocates for a dialogue about research traditions and paradigms within the
community around New Interfaces for Musical Expression (NIME). Although the research …

This paper describes an extended intercontinental collaboration between multiple artists,
institutions, and their publics, to develop an integrated musical practice which combines …

The maturation process of the NIME field has brought a growing interest in teaching the
design and implementation of Digital Music Instruments (DMIs) as well as in finding …

In the field of human computer interaction (HCI) the limitations of prototypes as the primary
artefact used in research have been noted. Prototypes often remain open in their design, are …

Musical instruments are not static and neutral technological objects, but objects we shape
through our designing and performing practices. Along these lines, various authors have …

The term 'NIME'-New Interfaces for Musical Expression-has come to signify both technical
and cultural characteristics. Not all new musical instruments are NIMEs, and not all NIMEs …