Twenty-five years of real-time surveillance video analytics: a bibliometric review

SR Nallola, V Ayyasamy - Multimedia Tools and Applications, 2024 - Springer
This study aims to examine, ascertain, and measure the extent of research conducted on
real-time surveillance video analytics (RTSVA) and uncover the patterns, advancements …

[PDF][PDF] Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction.

E Masson, CG Olesen, N van Noord… - DHQ: Digital …, 2020 - drive.google.com
In recent years, efforts to unlock digitized moving image collections have focused primarily
on the retrieval of collection items through semantic descriptors: keywords or other labels …

[图书][B] From film practice to data process: Production aesthetics and representational practices of a film industry in transition

S Atkinson - 2017 - books.google.com
Examines the practices of independent digital feature-filmmaking in contemporary BritainTo
what extent have digital innovations transformed the UK film industry? What new practices …

Colour palettes in US film trailers: a comparative analysis of movie barcode

N Redfern - Umanistica Digitale, 2021 - umanisticadigitale.unibo.it
This article analyses the smoothed movie barcodes of 173 trailers nominated for a Golden
Trailer award between 2016 and 2019 across nine genres: action, animation/family …

[HTML][HTML] Les images entre formes symboliques et humanités numériques: une introduction

P Basso Fossali - Signata. Annales des sémiotiques …, 2023 - journals.openedition.org
1 La notion de «forme» a traversé les théories de l'art avec une ambiguïté constitutive: d'une
part, elle a répondu à l'aspiration à une sorte de matrice originaire des enjeux esthétiques …

[HTML][HTML] Images between Symbolic Forms and Digital Humanities: An Introduction

P Basso Fossali - Signata. Annales des sémiotiques …, 2023 - journals.openedition.org
1 The notion of “form” has crossed art theory with a constitutive ambiguity: on the one hand,
it has responded to the aspiration for a kind of original matrix of aesthetic issues (idealistic …

The Deep Film Access Project: Ontology and metadata design for digital film production assets

S Atkinson, J Lehmann, R Evans - 2014 IEEE International …, 2014 - ieeexplore.ieee.org
The Deep Film Access Project (DFAP) aims to unlock latent opportunities that exist within the
big and complex data sets generated by industrial digital film production. The project is …

[HTML][HTML] Digital Access as Archival Reconstitution: Algorithmic Sampling, Visualization, and the Production of Meaning in Large Moving Image Repositories

E Masson, CG Olesen - Signata. Annales des sémiotiques …, 2021 - journals.openedition.org
The article explores how the analysis and visualization of sensory features in digitized
moving images contributes towards the reconstitution of audiovisual archives, and how this …

Large-scale high-performance video surveillance

SR Sutor - 2014 - oulurepo.oulu.fi
Tiivistelmä Viime vuosikymmen tunnetaan vahingollisista tapahtumista alkaen
talouskriiseistä ja ulottuen järjestelmälliseen rikollisuuteen, terrori-iskuihin ja …

[PDF][PDF] Augmented Images. New Challenges in the Era of Big Data Algorithms and Digital Environments

OMG Dondero, E D'Armenio - 2022 - academia.edu
D'Armenio, E.:“L'audiovisuel face au numérique: les gestes sémiotiques autour des
prothèses, des dispositifs et des archives”, MEI–Médiation Et Information 47, 69-79 (2019) …