Creative industries contain paradoxes because conflicting tensions arise between the
market and the arts. Entrepreneurs need to find and maintain a balance between those two …

We offer a new perspective on how cultural markets are structured and the conditions under
which innovations are more likely to emerge. We argue that in addition to organization-and …

In this paper, we develop a framework that conceptualizes organizational creativity as an
attributional process in which organizational creativity is constantly negotiated between an …

The creative industries have attracted the attention of both decision-makers and researchers
since the end of the 1990s due to their economic, cultural, and societal potential. The …

In creative industries, a producer's choice to use specific cultural practices is often driven by
considerations of industry-specific notions of creativity and artistic vision. Creative producers …

There is a re-positioning of entrepreneurship towards the sustaining, the frugal, the local,
and the everyday. This poses challenges for peripheral policy work, especially around …

Value congruence is generally studied as a stable experience instead of a dynamic
phenomenon. This static approach largely ignores the emerging evidence that the fit …

Market producers often seek to position themselves in different categories over time.
Successful repositioning is difficult, however, as audiences often devalue offerings that …

With the aim of providing greater insight into the nature and dynamics of the online
entrepreneurial ecosystem in the Cultural and Craft Industries (CCIs), this study investigated …

Collaboration during aesthetic production is inherently complex, involving difficult-to-
articulate aspects of aesthetic judgement as well as relational questions that are inherently …