Evidence from neurophysiological and psychological studies is coming together to shed
light on how we represent and recognize objects. This review describes evidence …

Interessant an der Arbeit von Herrn Sch olkopf sind nicht nur die fachlichen Aspekte,
sondern auch die unterschiedlichen und sehr intensiven Kontakte zu internationalen …

Although remarkably robust, face recognition is not perfectly invariant to pose and viewpoint
changes. It has long been known that both profile and full-face views result in poorer …

The classification of a table as round rather than square, a car as a Mazda rather than a
Ford, a drill bit as 3/8-inch rather than 1/4-inch, and a face as Tom have all been regarded …

The need to generate new views of a 3D object from a single real image arises in several
fields, including graphics and object recognition. While the traditional approach relies on the …

Recent evidence suggests that scene recognition across views is impaired when an array of
objects rotates relative to a stationary observer, but not when the observer moves relative to …

A new account of how we perceive the 3D shapes of objects and how to design machines
that can see shapes the way we do. The uniqueness of shape as a perceptual property lies …

Humans often evidence little difficulty at recognizing objects from arbitrary orientations in
depth. According to one class of theories, this competence is based on generalization from …

Images formed by a human face change with viewpoint. A new technique is described for
synthesizing images of faces from new viewpoints, when only a single 2D image is …

Symmetry is a fundamental principle of broad concern from the physical sciences to art and
design. Much of its significance derives from the perceptual appeal of symmetry to the …