“Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world's …
How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age? André Lepecki surveys a decade of experimental …
The Fragmentation of Being offers answers to some of the most fundamental questions in ontology. There are many kinds of beings but are there also many kinds of being? The world …
Many of us take for granted that what we perceive is a completely accurate representation of the world around us. Yet we have all had the experience of suddenly realizing that the keys …
Philosophers working on the ontology of mind have highlighted various distinctions that can be drawn between the ways in which different aspects of our minds fill time. For example …
EN Zalta, U Nodelman, C Allen… - See http://plato. stanford …, 2002 - academia.edu
After an introductory section, this article will focus on four questions: How should the Kyoto School be defined? What is meant by its central philosophical concept of “absolute …
Explores the experiences spectators have when they watch a film collectively in a cinemaIs the experience of watching a film with others in a cinema crucially different from watching a …
Background In principle, risk-stratification as a routine part of the NHS Breast Screening Programme (NHSBSP) should produce a better balance of benefits and harms. The main …
When we see an object, we also represent those parts of it that are not visible. The question is how we represent them: this is the problem of amodal perception. I will consider three …