Music studies's turn to computation during the twentieth century has engendered particular
habits of thought about music, habits that remain in operation long after the music scholar …

Cognitive musicology (Laske 1988) is the study of musical thinking from a computational
point of view. Like cognitive science, of which it is a part, cognitive musicology tends to focus …

The middle of the twentieth century saw a strong reaction against the comparative methods
that played so large a part in the disciplines of the humanities and social sciences in the first …

ADVANCES IN THE development of computers, the cognitive sciences, artificial intelligence,
and musical software engineering have made it imperative to broaden the notion of" …

This chapter examines questions of what is to be analysed in computational music analysis,
what is to be produced, and how one can have confidence in the results. These are not new …

Today's computers provide music theorists with unprecedented opportunities to analyze
music more quickly and accurately than ever before. Where analysis once required several …

This article is the first of a series that focuses on the history of computer-assisted music
analysis. This first article discusses the philosophical basis of computer-assisted music …

Advances in the development of computers, the cognitive sciences, applied artificial
intelligence, and musical software have made it imperative to broaden the notion of" …

This dissertation is about a collection of musical repertories—broadly speaking, American
experimentalism—and the practice of music analysis. In many ways, the two do not go hand …

This article reevaluates critical descriptions of the discipline of music theory advanced by
such scholars as Edward Cone, Joseph Kerman, and Leo Treitler and promoted in more …