Structural content in paintings: Artists overregularize oriented content of paintings relative to the typical natural scene bias

AM Schweinhart, EA Essock - Perception, 2013 - journals.sagepub.com
Natural scenes tend to be biased in both scale (1/f) and orientation (H> V≫ O; horizontal>
vertical≫ oblique), and the human visual system has similar biases that serve to partially …

[PDF][PDF] Statistical regularities of art images and natural scenes: spectra, sparseness and nonlinearities.

DJ Graham, DJ Field - Spatial vision, 2007 - people.hws.edu
Paintings are the product of a process that begins with ordinary vision in the natural world
and ends with manipulation of pigments on canvas. Because artists must produce images …

[HTML][HTML] The colors of paintings and viewers' preferences

SMC Nascimento, JMM Linhares, C Montagner… - Vision Research, 2017 - Elsevier
One hypothesis to explain the aesthetics of paintings is that it depends on the extent to
which they mimic natural image statistics. In fact, paintings and natural scenes share several …

Variations in intensity statistics for representational and abstract art, and for art from the Eastern and Western hemispheres

DJ Graham, DJ Field - Perception, 2008 - journals.sagepub.com
Two recent studies suggest that natural scenes and paintings show similar statistical
properties. But does the content or region of origin of an artwork affect its statistical …

Frames as visual links between paintings and the museum environment: an analysis of statistical image properties

C Redies, F Groß - Frontiers in Psychology, 2013 - frontiersin.org
Frames provide a visual link between artworks and their surround. We asked how image
properties change as an observer zooms out from viewing a painting alone, to viewing the …

[HTML][HTML] High entropy of edge orientations characterizes visual artworks from diverse cultural backgrounds

C Redies, A Brachmann, J Wagemans - Vision Research, 2017 - Elsevier
We asked whether “good composition” or “visual rightness” of artworks manifest themselves
in a particular arrangement of basic image features, such as oriented luminance edges …

Kandinsky or me? How free is the eye of the beholder in abstract art?

DI Braun, K Doerschner - i-Perception, 2019 - journals.sagepub.com
We investigated in “art-naïve” German and Chinese participants the perception of color and
spatial balance in abstract art. For color perception, we asked participants (a) to adjust the …

[HTML][HTML] An independent contribution of colour to the aesthetic preference for paintings

AM Albers, KR Gegenfurtner, SMC Nascimento - Vision Research, 2020 - Elsevier
Walking around an art museum we can see how colours influence our aesthetic
preferences: many great works of art would not be as impressive in grey scales. Is the …

Perceiving hierarchical structures in nonrepresentational paintings

T Avital, GC Cupchik - Empirical Studies of the Arts, 1998 - journals.sagepub.com
A series of four experiments were conducted to examine viewer perceptions of three sets of
five nonrepresentational paintings. Increased complexity was embedded in the hierarchical …

Mapping the similarity space of paintings: image statistics and visual perception

DJ Graham, JD Friedenberg, DN Rockmore… - Visual …, 2010 - Taylor & Francis
What makes two images look similar? Here we test the hypothesis that perceived similarity
of artwork is related to basic image statistics to which the early visual system is attuned. In …