e appearance of the AR Art Manifesto (2011) represented one of the main premises to
consider augmented reality art as a modality with its own identity, establishing the concepts …

In this paper we offer a theoretical overview of contemporary an-icons, namely images which
tend to present themselves as environments or parts of them, negating their iconic nature …

This paper starts from the premise that, although augmented reality (AR) proposes a new
perceptual experience situated at the limit between the actual and the virtual, when one …

Can we speak about a specific real-virtual spatiality in the contexts offered by the post-
desktop technological philosophy and practice? Does Augmented Reality have the potential …

Augmented reality art, as a new media subset, distinguishes itself through its peculiar
mechanics of exhibition and performative re-contextualization. It allows the artist to …

This article analyzes mobile AR installations in order to demonstrate different strategies for
producing a relational sense of place and time. These installations combine multiple …

This paper examines the ambivalence of “destination”—namely the ambivalence of the
user's interpellation—as one of the key features of augmented reality (AR) art. It calls …

In this chapter, the authors discuss the use of digital media in the creation of digital art,
questioning the evolution of the relationship between technology and concept in …

“The future of Augmented Reality is bright.” This would probably be the best sentence to start
these concluding thoughts with. The problem is that so many books on so many topics have …

Location-based virtual interventions provide a new field for artistic creation through the use
of augmented reality technology for mobile electronic devices. This field considers the …