This paper reviews the literature on cognitive and neurodiversity in groups as they relate to
group processes, emergent states, and outcomes. We build on a taxonomy of convergent …

There is an increasing movement toward accessibility in arts spaces, including recent
legislative changes and commitments at individual, organizational, and systemic levels to …

Relaxed Performance (RP) has emerged as an arts-based praxis implemented across
sectors in response to disability and other justice-seeking communities' desire to access the …

On the premise that performances and writing can be staged, and that no staging is ever
innocent, we tell two unresolved, wonder-oriented phenomenological stories of Relaxed …

Understanding of how to create inclusive performance experiences for spectators with
disabilities remains nascent in research, policy and practice. In this chapter, I survey the …

In the last decade, the field of Disability Arts has been recognised as a powerful source of
aesthetic innovation. Yinka Shonibare has described it as 'the last remaining avant-garde …

In this co-written ethnography, we offer a co-curated account of how it feels to build,
negotiate, witness and benefit from a community of practice nurtured by the principles of …

Beckett's plays have attracted a striking range of disability performances, in part because of
their insistent attention on embodied existence and the impaired body. Here, I examine four …

Abstract In February 2020, Battersea Arts Centre (BAC) in London launched as the world's
first Relaxed Venue, aiming to radically embed access and inclusivity across all of their …

Current discourse at the intersection between sound studies and disability studies has
highlighted the phonocentric nature of conventional understandings of listening–especially …