Performers are increasingly asked to navigate and create material for new hybrid
performance situations. In their role, they are not only required to develop measurable …

El concepto de interacción es clave para el desarrollo contemporáneo de la robótica social.
Se discute, sin embargo, la conveniencia de una definición que atienda los éxitos de …

Apresentamos neste artigo uma discussão sobre as principais abordagens à interatividade
em artes, com foco em música e arte sonora. Este estudo contempla a análise do processo …

ABSTRACT We present Line-Storm, an interactive computer system for creative
performance. The context we investigated was writing on paper using Line-Storm. We used …

This article aims to describe the situated interactions between humans and hybrid
architectures composed of physical and digital elements. Using a post-phenomenological …

This article examines how the emergence of interactive art brought about the necessity of re-
positioning the traditional role of the spectator and led to the re-formulation of the notion of …

This paper is the written portion of the thesis requirements for University of Wisconsin-
Milwaukee's Art History, Museums and Curatorial program. It corresponds with the other …

Abstract We present Line-Storm, an interactive computer system for creative performance.
The context we investigated was writing on paper using Line-Storm. We used self-report …

This thesis essay and accompanying exhibition examine the capacity of interactive art to
stage situations for participants to explore embodiment. In presenting the four-part …

In my thesis exhibition, I reconsider the proximity and scale of everyday pollution and bear
witness to the causes of contamination. Nameless presents a story without direct narration …