This second edition of my 2013 book aims to take an overview of the developments and
achievements of the “Practice as Research (PaR) initiative” in the eight years since the first …

This paper argues for ethnomusicologists to begin using performance not just as a tool to
understand the social and cultural field, but to use music and dance as methods in …

Listening comes first. We met in a corridor in the Academy of Music, talked for a bit and then
went to the space where they kept their instruments. The đàn tranh1 and the đàn bầu2 were …

This chapter explores the dynamic interface between autoethnography and artistic research.
Over the past two decades, new and creative approaches have proliferated in both fields …

How can the classical Karnatik music of South India illuminate performers' and researchers'
understanding of the art music of seventeenth-century Italy, and specifically Monteverdi's …

This proposed Element demonstrates how a combination of stimulated recall and
collaborative autoethnographic strategies can be applied to artistic and scholarly work at the …

This doctoral thesis is concerned with agency in the work of a performer, curator, and
composer, and how these agencies are socio-culturally constructed. Grounded in creative …

This paper discusses the nature of artistic knowledge, and proposes that knowledge
production through artistic research takes material and embodied forms. Further, the author …

This Ph. D. project in artistic research is concerned with the function of gesture in traditional
Vietnamese music. Building on gender analysis of musical performance in TV shows, and …

57 1.8. The performance set-up in the Orpheus Institute Auditorium, showing microphones,
Nintendo Wii remotes, the sensor surface underneath Stefan's chair, and the infrared …