Shakespeare, Spectatorship and the Technologies of Performance examines how rapid
changes in performance technologies affect modes of spectatorship for early modern drama …

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new
approach to the study of early modern boy actors, offering a historical re-appraisal of these …

In their use of unamplified sound, shared light, cue scripts, all-male casting or other
rehearsal and performance techniques, productions that use 'Original Practices'(OP) seek to …

Names: Pangallo, Matteo A., editor.| Kirwan, Peter, editor. Title: Shakespeare's
audiences/edited by Matteo Pangallo and Peter Kirwan. Description: New York, NY …

In human subjects, celebrity is an active, yet predictable, phenomenon, one that is a
carefully structured and managed experience designed to evoke ideas of talent, of charisma …

The meanings originally communicated by Elizabethan/Jacobean dress have long been
confined to history. Why, then, have doublets, hose, ruffs, and farthingales featured in many …

In the early Tudor interlude Hick Scorner (c. 1514),'Imagination'is a character–and a
thoroughly reprehensible one. He has engaging vivacity–'I am Imagination, full of …

This chapter argues that “Original-Practice” stagings of early modern drama produce
heightened audience response and engagement through a sense of interconnectedness …