Live-cast and recorded theatre (LCRT) such as National Theatre Live has expanded rapidly
into a major industry since its launch in 2009. In academic terms, this development has been …

Assemblage theory provides a framework for registering the active roles played by
nonhuman entities in the creation of theatrical events. In particular, it enables a greater …

Before the Covid-19 pandemic shuttered concert halls around the world in early 2020, live-
streaming of real-time artistic performances tended to be the preserve of prestigious venues …

Epilogue: Revisiting Liveness Page 228 Epilogue: Revisiting Liveness Laurie E. Osborne As it
turns out, I am a target audience for NTL ive, or so the 2011 Encore Season trailer would have …

Despite the apparent geographic barriers, Australia has been a notable participant in the
Eurovision Song Contest (ESC) from 2014, when Jessica Mauboy performed as an interval …

This article is in four parts. First, I discuss the emerging worldwide phenomenon of
commercial cinema screenings of live stage performances. Second, I chart some attempts by …

When a theatrical performance is digitally broadcast live to cinemas, the limitations of
temporal and spatial specificity are removed and the theatrical experience is simultaneously …

This chapter explores the various modes of “field” research utilised in Eurovision
scholarship, from digital ethnography to on-site fieldwork. In particular, it interrogates the …

The article examines film productions of London's National Theatre, which are based on its
most famous performances. The author discusses the techniques used to produce cinematic …

Performance art has been regarded as solidly rooted in the “Hier und Jetzt”, asserted by
Walter Benjamin as the only remaining condition for the Aura. However, as Philip Auslander …