Ranting in emotional public spheres: Publicizing participatory challenges on YouTube

PG Lange - Convergence, 2024 - journals.sagepub.com
Ranting has a bad reputation. But is it always deserved? Online ranting has been
alternatively decried for its emotion-laden hostility and praised as a beloved video genre. By …

Inclusive creativity: Wanghong economy and the Chinese social media entertainment industry

X Yu - 2022 - eprints.qut.edu.au
This thesis analyses the development trajectory and implications of China's online creative
industry (known as wanghong) and examines both empowerment and precarity of labor in …

Music education on YouTube and the challenges of platformization

E O'Leary - 2023 - vtechworks.lib.vt.edu
In this paper, I critically examine platformized music education on YouTube. I suggest
YouTube's platform mechanisms influence music teaching and learning on the platform. The …

SVOD Production in East-Central Europe: Understanding the 'Streamer Imaginaries' of Independent Producers

P Szczepanik - European Cinema in the Streaming Era: Policy …, 2024 - Springer
Transnational SVOD services have been redefining and, in many ways, reinforcing centre-
periphery hierarchies in the global screen media industries through the uneven cross-border …

Virtual Influencers and the New Wave of Digital Labour Exploitation

C Hughes - 2023 - yorkspace.library.yorku.ca
Virtual influencers (VIs) are animated replacements for human social media influencers, with
popular VIs like Lil Miquela garnering millions of followers. This thesis explores the …

[引用][C] Influencer regulations, governance and sociocultural issues in Asia

C Abidin, J Xu, J Hutchinson - Policy & Internet, 2023 - Wiley Online Library
Influencer and micro‐celebrity research has become a popular interdisciplinary research
area across digital media studies and celebrity studies in the past few years, including a …