This special issue and its range of contributions, from both emerging and established
scholars with interests in digital music distribution, provides a particular and novel depth of …

Abstract In Intertextuality and Hypertextuality in Recorded Popular Music, Lacasse identified
early examples of interactive remixing. In the decade since Lacasse argued that such …

Gorillaz are a music visual project created in 1998 by Damon Albarn and Jamie Hewlett. The
chapter discusses the concept of Gorillaz, and how they made popular music innovative …

This Engineering Brief charts the story of user-interactivity with recorded music. Audio
technologies and creative compositional techniques are discussed with particular regard to …

This paper concerns itself with an autoethnography of the five-year 'variPlay'project. This
project drew from three consecutive rounds of research funding to develop an app format …

The inspiration for this article originally came from an intellectual property (IP) course the
author taught in the Spring of 2017. IP from a wide range of industries was covered in the …

This chapter investigates what it means to “listen” in an age of virtual music. The argument
opens with analysis of recent philosophical debates about definition of the “virtual,” before …