Instrumentally oriented and individualistic approaches dominate the current perspectives on
musical interaction and technologically oriented composition. A view that focuses on the …

This paper explores participatory and socially engaged practices in ubiquitous music
(ubimus). We discuss recent advances that target timbre as their focus while incorporating …

We examine the emergence of aesthetic emotions in an exploratory study on a mixed reality
(MR) gastrosonic experience. Participants in an art-science event completed the …

Ubiquitous music is a relatively new research area which seeks ways to involve novices in
music learning, playing and improvisation. Despite the ambitious goals, ubiquitous music is …

Ubiquitous music (ubimus) frameworks imply a flexible approach to the design,
implementation and deployment of networked resources, featuring characteristics that …

This article presents contributions from the emerging and multidisciplinary research field of
Ubiquitous Music (Ubimus) for creative studies and educational practices. Ubimus research …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

Ubimus has pushed the boundaries of creative practice, embracing non-musicians as
creative partners and fostering the use of everyday settings for artistic and educational …

The purpose of this article is to investigate a methodological alternative to
ecocomposicionais practices through the use of systematic comprovisação. With a focus on …

INTRODUCTION: In this paper we discuss concepts and practices that point to a new field of
ubiquitous music (ubimus) research centered on domestic settings. OBJECTIVES: The …