Machines incorporating techniques from artificial intelligence and machine learning can work with human users on a moment-to-moment, real-time basis to generate creative …
L Lei - Education and Information Technologies, 2024 - Springer
The research purpose is to investigate the ways of using new technologies in music education and help scholars analyse the motifs of national music culture and folklore in …
This book is the culmination of many years performing, and thinking about, intercultural improvisatory music made possible by the Internet. As a classically trained trumpeter and …
Ç Erdem, AR Jensenius - Proceedings of the International Conference on …, 2020 - nime.org
This paper describes the ongoing process of developing RAW, a collaborative body– machine instrument that relies on'sculpting'the sonification of raw EMG signals. The …
D Brown, C Nash, T Mitchell - Digital Creativity, 2018 - Taylor & Francis
ABSTRACT In a New Interface for Musical Expression (NIME), the design of the relationship between a musician's actions and the instrument's sound response is critical in creating …
D Brown, C Nash, TJ Mitchell - … of the 15th International Audio Mostly …, 2020 - dl.acm.org
Traditional Western musical instruments have evolved to be robust and predictable, responding consistently to the same player actions with the same musical response …
RD Hoy, D Van Nort - Proceedings of the 19th International Audio Mostly …, 2024 - dl.acm.org
This paper investigates the outcomes of incorporating computational agents into a telematic electroacoustic performance ensemble. The ensemble is directed by a gestural language …
D Van Nort - Journal of Network Music and Arts, 2023 - commons.library.stonybrook.edu
This paper traces a twenty-year arc of my performance and compositional practice in the medium of telematic music, focusing on a distinct approach to fostering interdependence …
This paper sets out to explore a concept analogous to Pauline Oliveros' that “world music has come about through the combination of musical cultures in improvisation.” 1 Based on …