[HTML][HTML] Statistical regularities in art: Relations with visual coding and perception

DJ Graham, C Redies - Vision research, 2010 - Elsevier
Since at least 1935, vision researchers have used art stimuli to test human response to
complex scenes. This is sensible given the “inherent interestingness” of art and its relation to …

Quantification of artistic style through sparse coding analysis in the drawings of Pieter Bruegel the Elder

JM Hughes, DJ Graham… - Proceedings of the …, 2010 - National Acad Sciences
Recently, statistical techniques have been used to assist art historians in the analysis of
works of art. We present a novel technique for the quantification of artistic style that utilizes a …

[图书][B] The psychology of visual art: Eye, brain and art

G Mather - 2013 - books.google.com
What can art tell us about how the brain works? And what can the brain tell us about how we
perceive and create art? Humans have created visual art throughout history and its …

Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision

MJP Van Zuijlen, H Lin, K Bala, SC Pont, MWA Wijntjes - Plos one, 2021 - journals.plos.org
In this paper, we capture and explore the painterly depictions of materials to enable the
study of depiction and perception of materials through the artists' eye. We annotated a …

Computational color analysis of paintings for different artists of the XVI and XVII centuries

J Romero, L Gómez‐Robledo… - Color Research & …, 2018 - Wiley Online Library
We have performed a computational color analysis of images of paintings for six master
painters: Titian, Rubens, El Greco, Velázquez, Rembrandt, and Vermeer. These painters …

The interplay of objective and subjective factors in empirical aesthetics

R Chamberlain - Human Perception of Visual Information: Psychological …, 2022 - Springer
The field of empirical aesthetics sets out to understand and predict our aesthetic preferences
(Palmer et al., Annual Review of Psychology 64 (1): 77–107, 2013). Its history dates back to …

Preference for art: similarity, statistics, and selling price

DJ Graham, JD Friedenberg… - Human Vision and …, 2010 - spiedigitallibrary.org
Factors governing human preference for artwork have long been studied but there remain
many holes in our understanding. Bearing in mind contextual factors (both the conditions …

Structural content in paintings: Artists overregularize oriented content of paintings relative to the typical natural scene bias

AM Schweinhart, EA Essock - Perception, 2013 - journals.sagepub.com
Natural scenes tend to be biased in both scale (1/f) and orientation (H> V≫ O; horizontal>
vertical≫ oblique), and the human visual system has similar biases that serve to partially …

Artistic representations: clues to efficient coding in human vision

DJ Graham, M Meng - Visual Neuroscience, 2011 - cambridge.org
In what ways is mammalian vision—and in particular, human vision—efficiently adapted to
its ecology? We suggest that human visual artwork, which is made for the human eye, holds …

Altered spatial frequency content in paintings by artists with schizophrenia

D Graham, M Meng - i-Perception, 2011 - journals.sagepub.com
While it is difficult to imagine the way someone with mental illness perceives the world,
paintings produced by mental illness sufferers with artistic talents offer a hint of this …