Data-driven room acoustic modeling via differentiable feedback delay networks with learnable delay lines

AI Mezza, R Giampiccolo, E De Sena… - EURASIP Journal on …, 2024 - Springer
Over the past few decades, extensive research has been devoted to the design of artificial
reverberation algorithms aimed at emulating the room acoustics of physical environments …

[图书][B] Intelligent music production

B De Man, R Stables, JD Reiss - 2019 - taylorfrancis.com
Intelligent Music Production presents the state of the art in approaches, methodologies and
systems from the emerging field of automation in music mixing and mastering. This book …

Reverse engineering of a mix

D Barchiesi, J Reiss - Journal of the Audio Engineering Society, 2010 - aes.org
AES E-Library » Reverse Engineering of a Mix Donate Now Join AES Login Audio Engineering
Society Audio Engineering Society AES Statement on Racial Injustice in America × Events …

Mixploration: Rethinking the audio mixer interface

M Cartwright, B Pardo, J Reiss - … of the 19th international conference on …, 2014 - dl.acm.org
A typical audio mixer interface consists of faders and knobs that control the amplitude level
as well as processing (eg equalization, compression and reverberation) parameters of …

Automatic parameters tuning of late reverberation algorithms for audio augmented reality

R Bona, D Fantini, G Presti, M Tiraboschi… - Proceedings of the 17th …, 2022 - dl.acm.org
The matching of reverberation features between real sound sources and virtual ones is a
key task in Audio Augmented Reality. An adequate matching provides a proper auditory …

Hybrid reverberation processor with perceptual control

T Carpentier, M Noisternig, O Warusfel - 17th International Conference …, 2014 - hal.science
This paper presents a hybrid reverberation processor, ie a real-time audio signal processing
unit that combines a convolution reverb for recreating the early reflections of a measured …

Automatic cloning of recorded sounds by software synthesizers

S Heise, M Hlatky, J Loviscach - Audio Engineering Society Convention 127, 2009 - aes.org
Any audio recording can be turned into a digital musical instrument by feeding it into an
audio sampler. However, it is difficult to edit such a sound in musical terms or even to control …

Objective and subjective investigation on a novel method for digital reverberator parameters estimation

A Primavera, S Cecchi, J Li… - IEEE/ACM transactions on …, 2014 - ieeexplore.ieee.org
Reverberation is a well known effect that has an important role in our listening experience. A
great deal of research has been devoted in the last decades aiming to artificially reproduce …

MixViz: A tool to visualize masking in audio mixes

J Ford, M Cartwright, B Pardo - Audio Engineering Society Convention 139, 2015 - aes.org
This paper presents MixViz, a real-time audio production tool that helps users visually detect
and eliminate masking in audio mixes. This work adapts the Glasberg and Moore time …

Spatial sound rendering using measured room impulse responses

Y Li, PF Driessen, G Tzanetakis… - 2006 IEEE International …, 2006 - ieeexplore.ieee.org
Spatial sound rendering has many applications such as music production, movies,
electronic gaming and teleconferencing. Each of the applications may have different quality …