We are living in a moment where new types of visuality and vernaculars are emerging. For
many of us sharing of objects such as photos and video has become a part of our daily …

The cameraphone has emerged as a dominant device for the production and sharing of
photographic images in the new millennium. No longer constrained by technological …

The emergence of post-media aesthetics and hybrid media culture marked by media
convergence as well as diachronic and synchronic hybridization has resulted in an ongoing …

Our ability to play with smartphone camera apps and share our moving images with location-
based overlays is giving rise to new opportunities. Smartphone cameras can no longer be …

From Barbie dolls capable of recording video through to tablet computers and smartphones
with cameras, portable digital media devices are arguably changing our relationship with …

The development of sophisticated portable media tools, social media applications and high-
speed communication networks has arguably changed our understanding of the …

After decades of speculation the long-gestating medium of virtual reality (VR) became
available on the mass market in 2016–a highly experimental period for content creators …

The intention of this practice-based, critical screen production research is to explore both the
discourse and filmmaking praxis of representing women in Iranian avant-garde cinema, a …

This article is a reflection on the process and epistemological affordances of co-producing
video with an infant. Through the lens of montage filmmaking, a number of novel …

University of Roehampton DOCTORAL THESIS Through a mishandled archive Fatehi Irani,
Tara Page 1 University of Roehampton DOCTORAL THESIS Through a mishandled archive …