Sustaining and increasing participation in secondary music classes has been a regular topic
of discourse within the field of music education. Music researchers and professionals have …

Dawn ot the DAW tells the story of how the dividing line between the traditional roles of
musicians and recording studio personnel (producers, recording engineers, mixing …

Sociology for Music Teachers: Practical Applications, Second Edition, outlines the basic
concepts relevant to understanding music teaching and learning from a sociological …

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz
once sang, in an exciting age where'the digital won't let [us] go...'Technology has …

This article introduces a new creative industry actor, the 'producer-host', whose novel
cultural practices combine several roles: that of performing artist, music production educator …

In the 21st century, we are increasingly exposed to music created entirely on computers.
This article shows how pioneering music teachers approach the challenge of teaching music …

This chapter argues that the contested definitions of educational categories provide a useful
starting point in acknowledging the complexities of musical learning both inside and outside …

Although formal educational institutions in the UK, and particularly in Higher Education (HE),
have begun to include aspects of dance music and hip-hop styles of music in their curricula …

The purpose of this study was to investigate perceptions of high school students who made
music with code in Sonic Pi. This qualitative multiple case study focused on individuals in an …

Predmet ovog rada jeste sagledavanje upotrebe muzičkih sadražaja sa Interneta u
kontekstu slobodnog vremena i njegove funkcionalizacije u smeru obrazovanja. Teorijskom …