[HTML][HTML] Discourse is critical: Towards a collaborative NIME history

SMA Bin - NIME 2021, 2021 - nime.pubpub.org
Recent work in NIME has questioned the political and social implications of work in this field,
and has called for direct action on problems in the areas of diversity, representation and …

[图书][B] On the automation of agency in algorithmic music composition

JR Cullimore - 2021 - search.proquest.com
This thesis, and the artworks that accompany it, are the products of my Special Case,
Interdisciplinary PhD program. The program allowed me to develop art works where …

Creativity, Exploration and Control in Musical Parameter Spaces.

RH Tubb - 2016 - qmro.qmul.ac.uk
This thesis investigates the use of multidimensional control of synthesis parameters in
electronic music, and the impact of controller mapping techniques on creativity. The …

[PDF][PDF] Interactive lighting in the pearl: considerations and implementation.

I Hattwick, MM Wanderley - NIME, 2015 - ianhattwick.com
The Pearl is a multi-modal computer interface initially conceived as an interactive prop for a
multi-artistic theatrical performance. It is a spherical hand-held wireless controller embedded …

Learning Visual Programming by Creating a Walkable Interactive Installation

A Hadjakos, H Schulze, A Düchting, C Metzger… - Proceedings of the …, 2015 - dl.acm.org
In this paper we explore the question of how to teach visual programming languages, such
as Max/MSP, Pure Data, vvvv, to experienced media and sound artists. A pedagogical …

[HTML][HTML] The GLOBE: Evaluating Sensors for Interactive Computer Music Performance

C KO-MITCHELL - chantelleko.com
For my Masters in Music Thesis, specialization in Sonic Arts, I propose a creative process for
designing a DMI (Digital Musical Instrument) through an evaluation of sensors and in the …

Jack-in-the-Mug: An interface to assist in the production of Foley sound effects

FAGA Sousa - 2020 - estudogeral.uc.pt
During the observation of a movie or other audiovisual media, the image stands out more
than the sound, but the sound contains details that cannot be transmitted by the image …

[PDF][PDF] Creative exchange through joint responsibility: designing performances in multidisciplinary teams in the educational context

IR Neves, CD Reyes, I Pachi, AD Demir… - Research in Arts and …, 2021 - journal.fi
In this paper, we present a collaborative course born from the intersection of Textile Design,
Human-Computer-Interaction (HCI), Composing, and Choreography departments with the …

[PDF][PDF] The GLOBE: Evaluating Sensors for Interactive Computer Music Performance

C Ko - GLOBE, 2020 - prism.ucalgary.ca
Instrument) through an evaluation of sensors and in the context of interactive computer
music performance. In this process, the author uses the affordances and limitations of …