[引用][C] Beyond the score: Music as performance

N Cook - 2013 - books.google.com
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional
musicological notion of music as writing, asserting instead that it is as performance that …

An interdisciplinary review of music performance analysis

A Lerch, C Arthur, A Pati, S Gururani - arXiv preprint arXiv:2104.09018, 2021 - arxiv.org
A musical performance renders an acoustic realization of a musical score or other
representation of a composition. Different performances of the same composition may vary …

Music performance analysis: A survey

A Lerch, C Arthur, A Pati, S Gururani - arXiv preprint arXiv:1907.00178, 2019 - arxiv.org
Music Information Retrieval (MIR) tends to focus on the analysis of audio signals. Often, a
single music recording is used as representative of a" song" even though different …

[PDF][PDF] The improvisatory approach to classical music performance: an empirical investigation into its characteristics and impact

D Dolan, J Sloboda, HJ Jensen, B Crüts… - Music Performance …, 2013 - gsmd.ac.uk
This paper explores the characteristics and impacts of adopting an improvisatory approach
to the performance of classical chamber music. Improvisatory approaches to the classical …

Timing variations in two Balkan percussion performances

D Goldberg - Empirical Musicology Review, 2015 - ojs.library.osu.edu
Many songs and dance pieces from the Balkan Peninsula employ aksak meter, in which two
categorically different durations, long and short, coexist in the sequence of beats that …

The Times Are A-Changin': Metric Flexibility and Text Expression in 1960s and 1970s Singer-Songwriter Music

N Murphy - Music Theory Spectrum, 2022 - academic.oup.com
In 1960s and 1970s singer-songwriter music, some artists used a malleable approach to
meter in performance that resulted in songs with extremes of self-expressive timing flexibility …

[PDF][PDF] Recorded asynchronies, structural dialogues: Brahms's Adagio affettuoso, Op. 99ii, in the hands of Casals and Horszowski

A Llorens - Music Performance Research, 2017 - researchgate.net
Many musicians performing an ensemble work would aim to achieve good, if not perfect,
synchronisation of timing for the sake of an effective rendition (McCaleb, 2014). In this …

[HTML][HTML] Rebonds: Structural Affordances, Negotiation, and Creation

B Duinker - Music Theory Online, 2021 - mtosmt.org
This paper presents a comparative recording analysis of the seminal work for solo
percussion Rebonds (Iannis Xenakis, 1989), in order to demonstrate how performances of a …

Analysis, performance, and tension perception of an unmeasured prelude for harpsichord

M Goodchild, B Gingras… - Music Perception: An …, 2016 - online.ucpress.edu
This study focuses on the relationships between music analysis, performance, and tension
perception. Part 1 examines harpsichordists' analyses and performances of an unmeasured …

Formation and process in repetitive post-tonal music

AL Boyle - 2018 - open.library.ubc.ca
A body of post-tonal compositions (including works by Berio, Birtwistle, Boulez, Donatoni,
Feldman, and Sciarrino) engage in what I term “maximalist repetition”: they employ diverse …