Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-
Thomas employs current theories from psychology and sociology to examine how recorded …

Practical Musicology outlines a theoretical framework for studying a broad range of current
musical practices and aims to provoke discussion about key issues in the rapidly expanding …

My experience in the academic field of record production has involved keeping a finger in
many disciplinary pies: music technology/recording arts, 1 popular music studies …

Through the systematic analysis of data from music rehearsals, lessons, and performances,
this book develops a new conceptual framework for studying cognitive processes in musical …

This paper examines the role of performance annotations in coordinating Western Art Music
(WAM) performance. Annotations are classified by their function in supporting cognitive and …

Estudiar la actividad instrumental supone hacer frente al problema de la abrumadora
complejidad de la tarea en sí. Sin embargo, desde comienzos del siglo pasado los …

This thesis examines creativity in performance through the study of the performance
practices of professional clarinettists. Creativity research has tended to emphasise the …

The last decade has offered a surge in scholarship on music performance. Scholars
interested in music performance can draw from a range of perspectives. Ethnomusicologists …

In this article I examine the role of the instrument in Evan Johnson and Carl Rosman's
collaboration on a new work for eighteenth-century basset clarinet,'indolentiae ars', a …

This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. A …