Josefa de Óbidos's Holy Family and Sacrificial Lamb: Emblematic Devotions

LDG Cheney - Iconocrazia, 2023 - ojs.uniba.it
Abstract Josefa Figueira de Ayala Cabrera de Óbidos (1630–1684) was an outstanding
Portuguese Baroque painter. She was renowned for her talent and creativity, making her …

Artemisia Gentileschi and the 'biographical sensationalism'in the interpretation of her artistic work

MDM Ramírez Alvarado… - The Seventeenth Century, 2024 - Taylor & Francis
The aim of the present work is to examine in detail the figure of the Italian painter, Artemisia
Gentileschi (1593–1656?), whose work is of great interest but passed unnoticed in the …

Subversive Bodies and the Sense of the Senses: Lavinia Fontana, Tullia d'Aragona and Gaspara Stampa

J Vernqvist - Body, Gender, Senses, 2024 - degruyter.com
This chapter explores Epicurean traces in the works of early modern artists, writers and
poets Tullia d'Aragona (c. 1501–1556), Gaspara Stampa (c. 1523–1554) and Lavinia …

[PDF][PDF] Josefa de Óbidos's Vedute: Discovering the Realms of Nature

LDG Cheney - Journal of Literature and Art Studies, 2023 - academia.edu
Josefa Figueira de Ayala de Cabrera D'Óbidos was a renowned Baroque painter from
Portugal who lived between 1630 and 1684. She was an accomplished artist and one of the …

Fortis Femina: Artemisia Gentileschi's Treatment of Cleopatra and Seventeenth-Century Italian Art

RN Shermock - 2023 - search.proquest.com
Cleopatra is a historical figure with mythical fame; she has captivated the attention of artists
over centuries and millennia. Two common themes of the myriad portrayals of her …

Bravura in Blue: Ultramarine in the Works of Artemisia Gentileschi

R Kline - Comitatus: A Journal of Medieval and Renaissance …, 2024 - muse.jhu.edu
This paper adopts materiality as an interpretive lens to explore the gendered resonances of
ultramarine in the works of Baroque painter Artemisia Gentileschi. The history of ultramarine …

Forjando una identidad: autoimagen y conciencia artística en los primeros grabados de Josefa de Óbidos

C Ripollés - Anuario del Departamento de Historia y Teoría del …, 2023 - dialnet.unirioja.es
Este ensayo examina la construcción de una identidad artística en los dos primeros
grabados de la pintora portuguesa nacida en Sevilla Josefa de Óbidos (1630-1684) …

[PDF][PDF] 10. Shining a Light on Giulia Lama's Painting Practice in the San Marziale Four Evangelists

C Nisse - Women Artists and Artisans in Venice and the Veneto … - library.oapen.org
The remarkable artistic career of Giulia Lama (1681–1747) produced independent works for
Venetian churches as well as istorie (history paintings). Atypically, she drew after both the …

[PDF][PDF] 7. Artemisia Gentileschi in Venice: Facts and Suppositions

D Gasparotto - Women Artists and Artisans in Venice and the Veneto … - library.oapen.org
In the last twenty years our knowledge of the life and work of Artemisia Gentileschi (1593–
ca. 1654), the most celebrated woman painter of the seventeenth century, has been …

[HTML][HTML] 3.3 The Baroque: a Step Beyond

M Thorson - Encounters With the Arts: Readings for …, 2020 - mlpp.pressbooks.pub
As Hellenism followed Classical Greek style, so the Baroque follows the Renaissance. The
word baroque can designate “art of any time or place that shows the qualities of vigorous …