Concrete Times

JS Archambault - Annual Review of Anthropology, 2024 - annualreviews.org
Our existence has become so entangled with concrete that it would be difficult to imagine life
without it, though we probably should. Anthropologists recognize the part that concrete plays …

'One beer, one block': concrete aspiration and the stuff of transformation in a Mozambican suburb

JS Archambault - Journal of the Royal Anthropological Institute, 2018 - Wiley Online Library
As the world's most used material, after water, cement is particularly good to think with. And
as I show below, it may also be good to 'become with', especially across the Global South …

[图书][B] The Tongue-Tied Imagination: Decolonizing Literary Modernity in Senegal

T Warner - 2020 - degruyter.com
Should a writer work in a former colonial language or in a vernacular? The language
question was one of the great, intractable problems that haunted postcolonial literatures in …

Concrete violence, indifference and future-making in Mozambique

JS Archambault - Critique of Anthropology, 2021 - journals.sagepub.com
In the Mozambican suburb of Inhapossa, piles of fresh concrete blocks vividly convey a
sense of the momentous transformation under way in a place where building is now …

From Russia with love: medical modernities, development dreams, and Cold War legacies in Kenya, 1969 and 2015

RJ Prince - Africa, 2020 - cambridge.org
In 1966, a new hospital was being built in western Kenya with Soviet aid. Designed by
Soviet architects and planners, with equipment transported from the USSR, it was to be the …

[PDF][PDF] Brief instructions for archaeologists of African futures

PW Geissler, G Lachenal - Traces of the Future: An Archaeology of …, 2016 - academia.edu
16 17 the original sense of the word: stumbling stones. Traces always point to the absence
of their cause, but are at the same time positively present. They may, of course, be …

[图书][B] Senegalese Stagecraft: Decolonizing Theater-making in Francophone Africa

B Valente-Quinn - 2021 - books.google.com
Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic
expression, political activism, and community engagement. In their responses to the …

À la recherche d'autochtonie–Pourquoi les Maliens acceptent la Charte du Manding et la Charte de Kouroukanfougan

J Jansen - Mande Studies, 2016 - muse.jhu.edu
Bien qu'il s' agisse littéralement de bricolages récents, d'«inventions of tradition», la Charte
du Manding et la Charte de Kouroukanfougan sont très populaires chez les Maliens qui …

Archiving the First World Festival of Negro Arts (Dakar 1966): recuperation, nostalgia and utopianism

D Murphy - World Art, 2016 - Taylor & Francis
This article will examine the concepts of recuperation, nostalgia and utopianism in relation to
the First World Festival of Negro Arts, which was held in Dakar in 1966, in part through an …

Traveling to Audiences: The Decentralization of Festival Spaces at the Festival Films Femmes Afrique in Senegal

E Sendra - Journal of Festive Studies, 2023 - kclpure.kcl.ac.uk
As African countries gained independence, filmmakers saw cinema as a weapon for
decolonization. With the increasing disappearance of cinema venues following the global …