Styling Authenticity in Country Music

V Werner, A Ledermann - Languages, 2024 - mdpi.com
Country music has become commercially successful both in the US and worldwide. It is
perceived as a genre that values authenticity, which may be reflected in the choice of …

Singing to a Genre: Constraints on Variable Rhoticity in British Americana

R Campos-Astorkiza - Languages, 2024 - mdpi.com
This study focuses on accent shift or stylization to American English features in Anglophone
pop-rock music and examines linguistic constraints alongside music-related considerations …

Stylistic Contrasts and Social Implications in “You Can't Always Get What You Want”

M Konert-Panek, M Gradowski - Popular Music and Society, 2024 - Taylor & Francis
The paper analyzes stylistic contrasts in the song “You Can't Always Get What You Want,”
comparing linguistic and musicological features of the performances by the London Bach …

Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren's New Poetry Collection

W Xiaoyu, X Ying, L Shilin, R Xiubo, Y Dan… - Journal of New Music …, 2023 - Taylor & Francis
This study investigates the dynamic equilibrium between music and language within art
songs, as exemplified in Zhao Yuanren's New Poetry Collection. Zhao Yuanren, a modern …

A grammatical analysis of American and British pop music

A Shigeta-Watanabe - Journal of Language and Pop Culture, 2024 - jbe-platform.com
Previous work has shown that American-influenced singing is common in British pop music
(BPM). While the existing largely literature focuses on phonetic analysis, this study …

Americanization in British popular music 1953-2009: A sociolinguistic approach

A Watanabe - 2022 - etheses.whiterose.ac.uk
There has long been linguistic and sociological interest in Americanization in British popular
music. Previous studies (eg, Trudgill 1983; Cooper and Cooper 1993) have attempted to …

[PDF][PDF] Conflicting Identities in British Heavy Metal

C Caillol - sites-recherche.univ-rennes2.fr
Conflicting Identities in British Heavy Metal Page 1 Coline Caillol under the supervision of
Emmanuel Ferragne CLILLAC-ARP (EA 3967 – Université Paris Cité) Conflicting Identities in …