Raman spectroscopy of minerals and mineral pigments in archaeometry

D Bersani, PP Lottici - Journal of Raman Spectroscopy, 2016 - Wiley Online Library
Minerals, as raw structural materials or pigments, play a fundamental role in archaeometry,
for the understanding of nature, structure and status of an artefact or object of interest for …

Material aspects of icons. A review on physicochemical studies of Greek icons

S Sotiropoulou, S Daniilia - Accounts of chemical research, 2010 - ACS Publications
Holy icons created in the Byzantine era are a vital entity in Orthodox Christianity, a living
tradition unbroken over more than 1500 years. The importance of these symbolic …

Development and validation of a liquid chromatographic method with diode array detection for the determination of anthraquinones, flavonoids and other natural dyes …

A Vasileiadou, I Karapanagiotis, A Zotou - Journal of Chromatography A, 2021 - Elsevier
A HPLC method coupled with diode array detector was developed and validated for the
quantitation of alizarin, apigenin, carminic acid, curcumin, ellagic acid, emodin, fisetin …

[HTML][HTML] From lapis lazuli to ultramarine blue: investigating Cennino Cennini's recipe using sulfur K-edge XANES

M Ganio, ES Pouyet, SM Webb… - Pure and Applied …, 2018 - degruyter.com
As one of the most desired and expensive artists' materials throughout history, there has
long been interest in studying natural lapis lazuli. The traditional method of extracting the …

Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art

M Favaro, A Guastoni, F Marini, S Bianchin… - Analytical and …, 2012 - Springer
In this paper, we propose an analytical methodology for attributing provenance to natural
lapis lazuli pigments employed in works of art, and for distinguishing whether they are of …

Investigation of the colourants used in icons of the Cretan School of iconography

I Karapanagiotis, E Minopoulou, L Valianou… - Analytica chimica …, 2009 - Elsevier
The red shades of 13 icons (15th–17th century) of the Cretan School of iconography are
investigated in detail to identify the inorganic and organic colouring materials comprising the …

Identification of different copper green pigments in renaissance paintings by cluster-TOF-SIMS imaging analysis

P Richardin, V Mazel, P Walter… - Journal of the …, 2011 - ACS Publications
Time-of-flight secondary ion mass spectrometry (TOF-SIMS) imaging using cluster primary
ion beams is used for the identification of a green painting layer on the scene The Angels …

Vibrational spectroscopy to study degradation of natural dyes. Assessment of oxygen-free cassette for safe exposition of artefacts

M Koperska, T Łojewski, J Łojewska - Analytical and bioanalytical …, 2011 - Springer
An important issue connected with conservation chemistry is how to improve the storage and
exposure conditions in order to suppress the fading and degradation of dyes and other …

On the grounds of post‐Byzantine Greek icons

GP Mastrotheodoros, KG Beltsios, Y Bassiakos… - …, 2016 - Wiley Online Library
The grounds of 51 post‐Byzantine icons (Eastern Orthodox panel paintings) were studied by
means of analytical techniques. The artefacts cover the period from the mid‐15th to the mid …

Identification of colourants in icons of the Cretan School of iconography using Raman spectroscopy and liquid chromatography

I Karapanagiotis, D Lampakis, A Konstanta… - Journal of …, 2013 - Elsevier
The stratigraphies of twenty five (25) samples removed from twenty (20) icons of the Cretan
School of iconography are studied using Optical Microscopy and micro-Raman …