Studies suggest that popular music genres are increasingly discussed by cultural
intermediaries in 'legitimate'or 'highbrow'terms, rather than merely 'lowbrow'commercial …

The 2020 Norwegian national curriculum for primary, lower secondary, and upper
secondary education includes a “competence aim” after Year 7 that expects pupils to be …

Music videos continue to be one of the most adaptable forms of media due to their unique
ability to remediate everything from Western films to Zoom meetings. Their relatively low …

ABSTRACT A distinction between creativity and commerce as opposing forces is central to
discourses surrounding popular music, and this distinction facilitates a gendered hierarchy …

Across its history, K-pop has put traditional Korean elements to a diversity of uses, including
in music, dance and visual style. This article investigates the use of traditional elements in …

This article explores how femininities in Estonian pop music are co-constituted by global
postfeminist trends as well as local post-soviet attitudes and eco-nationalist folkloric beliefs …

Across many cultures, the dominant masculine norms of stoicism, strength and
independence often serve to stigmatize the vulnerabilities associated with mental health …

This study discusses modes of appropriation of television genres for the constitution of new
audiovisual dynamics in a digital context, based on performatic strategies of the Brazilian …

This paper critically analyzes the 2010s' viral music video trilogy featuring Teymuraz, a stage
and video persona of the Russian/Tatar/Jewish hip-hop artist Timati. Using hyperbolized …

By combining perspectives from transmedial narratology and musicology, this article
explores how the notion of a" personal storyworld" can offer new opportunities for …