A Rees - Journal of Global History, 2019 - cambridge.org
In 1921, the United States introduced national immigration quotas. Although designed to curb the arrival of 'undesirables' from south-east Europe, this quota system also applied to …
F Frigeri, K Handberg - 2021 - api.taylorfrancis.com
Names: Frigeri, Flavia, editor.| Handberg, Kristian, editor. Title: New histories of art in the global postwar era: multiple modernisms/Flavia Frigeri and Kristian Handberg. Description …
A Rees - Pacific Historical Review, 2017 - online.ucpress.edu
Australian women travelers in early twentieth-century New York often recoiled from the frenetic pace of the city, which surpassed anything encountered in either Britain or Australia …
During the mid-twentieth century, Hollywood cinema exerted a powerful influence upon Australian imaginings of the United States. In contrast to the flood of information moving …
T Smith - New Histories of Art in the Global Postwar Era, 2021 - taylorfrancis.com
The “new art history” that has been an ongoing enterprise of disciplinary self-criticism since the 1970s has complicated this orthodoxy in significant ways, critiquing it from social …
K Guinness - Australian and New Zealand Journal of Art, 2018 - Taylor & Francis
According to cultural theorist Sianne Ngai, zaniness is a specific aesthetic category characterised by the performance of affective labour within late capitalism, its reliance on …
During the mid-twentieth century, Hollywood cinema exerted a powerful influence upon Australian imaginings of the United States. In contrast to the flood of information moving …
L Bliss - Electronic Melbourne Art Journal, 2016 - search.proquest.com
Through a wide ranging study of Philip Brophy's academic and critical writings on horror cinema, this essay considers how Brophy's theory of the spectator's body is figured in his …