We propose an algorithm that generates a vibration, an impact, or a vibration+ impact haptic
effect by processing a sound signal in real time. Our algorithm is selective in that it matches …

The physics-based design and realization of a digital musical interface asks for the modeling
and implementation of the contact-point interaction with the performer. Musical instruments …

In this study experiments were conducted to determine if a person could distinguish
percussive audio loops by their fingertips using audio-driven tactile feedback. The audio …

Haptics, and specifically vibrotactile-augmented interfaces, have been the object of much
research in the music technology domain: In the last few decades, many musical haptic …

Extensive research has been conducted investigating various facets in the realm of
multimodal modeling. Nevertheless, there has been a lack of systematic exploration in the …

This paper examined how rotary force feedback in knobs can enhance control over musical
techniques, focusing on both performance and user experience. To support our study, we …

The focus of this study was to investigate the ability to discriminate between melodic
intervals of the equal tempered scale based solely on vibrotactile stimulation. In music, a …

This paper presents the continuous work towards the development of an interface for music
mixing targeted towards expert sound technicians and producers. The mixing interface uses …

Live music performances and music production often involve the manipulation of several
parameters during sound generation, processing, and mixing. In hardware layouts, those …

Previous vibrotactile research has provided little or no definitive results on the discrimination
and identification of important pitch aspects for musical performance such as relative and …