This paper presents a cognitive psychology experiment to explore the differences between
2D and virtual reality (VR) film editing techniques. We recruited sixteen volunteers to view a …

Cinematic virtual reality (CVR) offers filmmakers a wide range of possibilities to explore new
techniques regarding movie scripting, shooting and editing. Despite the many experiments …

In this work, we explore if the immersion afforded by Virtual Reality can improve the
cognitive integration of information in Cinematic Virtual Reality (CVR). We conducted a user …

Optimizing user quality of experience (QoE) for 360° videos faces two major roadblocks:
inaccurate viewport prediction and viewers missing the plot of a story. To tackle these issues …

Cinematic Virtual Reality (CVR) is a narrative-driven VR experience that uses head-
mounted displays with a 360-degree field of view. Previous research has explored different …

In recent years, the creative media landscape has witnessed growing interests surrounding
the utilization of virtual reality (VR) as a novel visual narrative approach for both filmmakers …

360° images offer panoramic views of captured environments, placing users within an
egocentric perspective. While users can freely rotate their viewpoint, they don't experience 6 …

When watching films made and displayed with Virtual Reality approaches, the viewers can
freely move the visual field, resulting in possible disruptions in the narratives designed by …

This paper presents the resources utilized for and gathered from a subjective QoE
experiment conducted with 45 participants who watched 360° videos processed with offline …

New approaches to writing for 'immersive media'are stretching, adapting and dismantling
entrenched screenwriting practices that grew out of the Hollywood studio system of the …