In the mid-twentieth century, artists began creating intermedial experiments between dance
and the visual arts. Now common in performance practices, dance and choreography have …

This book elucidates the technical aspects of improvised dance performance and reframes
the notion of labour in the practice from one that is either based on compositionally formal …

This book traces the history of engagements between dance and the visual arts in the mid-
twentieth century and provides a backdrop for the emerging field of contemporary …

Research into physical simulation practices across industries (aviation, transport and
healthcare), provides insights into embodied knowledge. Embodied knowledge informed by …

This chapter brings a historical perspective to the development of dance education in
Australia. It begins with Australia's First Nations people and their impact on the development …

My current research project, Dance and the Visual Arts: Composition: Experiment:
Sensation, acknowledges recent and important curatorial, creative and theoretical work and …

Transposing style: Martin del Amo's new solo works Page 1 Transposing Style: Martin
del Amo’s new solo works ERIN BRANNIGAN BROLGA 36 25 I am very much interested in …

This chapter describes the structures of power embodied in dance training methods at the
material level, the effect that this has on the dancers, and the philosophical and ideological …

Improvisation as a mode of performance has gained momentum in twenty-first century
Western theatre dance. It offers dance-artists and choreographers methodologies for …