[图书][B] Iranian Cinema and Philosophy: Shooting Truth
F Erfani - 2012 - books.google.com
In film studies, Iranian films are kept at a distance, as' other,'different, and exotic. In reponse,
this book takes these films as philosophically relevant and innovative. Each chapter of this …
this book takes these films as philosophically relevant and innovative. Each chapter of this …
Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami's The Wind Will Carry Us
C Lippard - Journal of Film and Video, 2009 - JSTOR
ONE DOMINANT THREAD IN DESCRIPTIONS of postrevolutionary Iranian cinema has
been an interest in what we do not see. The relative ab sence of central female figures from …
been an interest in what we do not see. The relative ab sence of central female figures from …
[图书][B] Abbas Kiarostami: Interviews
M Raesch - 2023 - books.google.com
The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most
important filmmakers of the previous decades. This volume illustrates why the Iranian …
important filmmakers of the previous decades. This volume illustrates why the Iranian …
[PDF][PDF] Driving into the Void: Kiarostami's “Taste of Cherry”
H Ford - Journal of Humanistics and Social Sciences, 2012 - Citeseer
This article explores Abbas Kiarostami's 1996 film Ta'm e guilass/Taste of Cherry and the
critical responses it has received as arguably the most problematic of the director's films for …
critical responses it has received as arguably the most problematic of the director's films for …
Deafening Silence
B Ghobadi's - Iranian Cinema and Philosophy - Springer
1. India and the United States, in that order, far surpass the rest of the world. 2. Different
issues, such as the role of war in films, anthropology, and the problems of international …
issues, such as the role of war in films, anthropology, and the problems of international …
[HTML][HTML] Days in the Country: Representations of Rural Space and Place in Abbas Kiarostami's Life and Nothing More, Through the Olive Trees and The Wind Will …
S Bransford - Book Reviews, 2025 - sensesofcinema.com
Abbas Kiarostami's Through the Olive Trees (1994) opens with a man's direct address to the
camera:“I'm Mohamad Ali Keshavarz, the actor who plays the director. The other actors were …
camera:“I'm Mohamad Ali Keshavarz, the actor who plays the director. The other actors were …
Negative Aesthetics
PRI Cinema - Displaced Allegories: Post-Revolutionary Iranian …, 2008 - books.google.com
2 This weakness forced “the young generation, men and women, to deviate from the usual
way of life, work, industry, production and knowledge.” Ibid., 47. 3 Commenting on the …
way of life, work, industry, production and knowledge.” Ibid., 47. 3 Commenting on the …
ABBAS KIAROSTAMI LA without a Map (1999) Highway Society (2000)
T SOILA, F CIRCUIT - Fifty Contemporary Filmmakers, 2002 - books.google.com
Abbas Kiarostami is perhaps the most recognizable name associated with contemporary
Iranian cinema. The US magazine Film Comment, a staunch Kiarostami campaigner …
Iranian cinema. The US magazine Film Comment, a staunch Kiarostami campaigner …
NEW WAVES, AUTHORSHIP, AND THE POLITICS OF THE FESTIVAL CIRCUIT
A KIAROSTAMI, T SOILA - Fifty Contemporary Filmmakers, 2002 - books.google.com
Abbas Kiarostami is perhaps the most recognizable name associated with contemporary
Iranian cinema. The US magazineFilm Comment, a staunch Kiarostami campaigner …
Iranian cinema. The US magazineFilm Comment, a staunch Kiarostami campaigner …