Behavioral and brain rhythms in the millisecond-to-second range are central in human
music, speech, and movement. A comparative approach can further our understanding of …

The urge to move to music is universal among humans. Unlike visual art, which is manifest
across space, music is manifest across time. When listeners get carried away by the music …

Interpersonal musical entrainment—temporal synchronization and coordination between
individuals in musical contexts—is a ubiquitous phenomenon related to music's social …

The human capacity to synchronize movements to an auditory beat is central to musical
behaviour and to debates over the evolution of human musicality. Have humans evolved …

When listening to music, we naturally move our bodies rhythmically to the beat, which can
be pleasurable and difficult to resist. This pleasurable sensation of wanting to move the body …

Rhythm perception is fundamental to speech and music. Humans readily recognize a
rhythmic pattern, such as that of a familiar song, independently of the tempo at which it …

Isochrony is crucial to the rhythm of human music. Some neural, behavioral and anatomical
traits underlying rhythm perception and production are shared with a broad range of …

Coordinated group displays featuring precise entrainment of rhythmic behavior between
neighbors occur not only in human music, dance and drill, but in the acoustic or optical …

Why does human speech have rhythm? As we cannot travel back in time to witness how
speech developed its rhythmic properties and why humans have the cognitive skills to …

Rhythmic behaviour is ubiquitous in both human and non-human animals, but it is unclear
whether the cognitive mechanisms underlying the specific rhythmic behaviours observed in …