Abstract Machines have the power and potential to make expressive music on their own.
This thesis aims to computationally model the process of creating music using experience …

Corpus-based concatenative methods for musical sound synthesis have attracted much
attention recently. They make use of a variety of sound snippets in a database to assemble a …

Concatenative sound synthesis is a promising method of musical sound synthesis with a
steady stream of work and publications for over five years now. This article offers a …

La classification automatique de la musique est un vaste domaine de recherche,
multidisciplinaire par nature, et qui donne lieu à des avancées significatives tant du point de …

In speech synthesis, concatenative data-driven synthesis methods prevail. They use a
database of recorded speech and a unit selection algorithm that selects the segments that …

This paper describes the design and development of new software for spectral analysis,
editing and resynthesis. Analysis is accomplished using a variation of the traditional …

This paper concentrates on recent extensions and applications of the well established SDIF
Sound Description Interchange Format: SDIF selection is a standard way to access a part of …

A spectral envelope is a curve in the frequency-magnitude plane which envelopes the short
time spectrum of a signal, eg connecting the peaks which represent sinusoidal partials, or …

This document describes the design, development, and applications of cross-platform
software for audio analysis, editing, and resynthesis. Analysis is accomplished using a …

Max/MSP (Puckette, 1988, Zicarelli, 1998) is a realtime signal-and event-processing
environment for music. The Sound Description Interchange Format (—SDIF “) is a framework …