This second volume in the groundbreaking Illuminating Women Artists series delves into the
stirring life and work of the Baroque painter Artemisia Gentileschi. The life of Artemisia …

The purpose of the monograph section. On the basis of anthropocentric approach to the
analysis of visual self-presentations of Italian women artists of the Renaissance and …

Мета дослідження. Виходячи із узагальненого об'єкта гендерних досліджень як
взаємодії чоловіків і жінок у суспільстві, апробувати культурологічну методологію …

The aim of the present work is to examine in detail the figure of the Italian painter, Artemisia
Gentileschi (1593–1656?), whose work is of great interest but passed unnoticed in the …

Public Feminism in Times of Crisis examines the public practice of feminism in the age of
social media. While their concept of public feminism emerges from a moment of acute crisis …

Attributions for a number of paintings have oscillated between Orazio Gentileschi and his
daughter, Artemisia. The predominant tendency in recent scholarship has been to give these …

Issues pertaining to sexual abuse in relation to art have been foregrounded by the recent
global moral reckoning effected by the# MeToo movement. As a consequence, an …

The discovery of a new work from an old master necessitates a reappraisal of said artist's
catalogue and progression. When Artemisia Gentileschi's Self-Portrait as Saint Catherine of …

There is a deeply entrenched tradition in art history that prioritizes the male perspective in
the conceptualization of western visual femininity. Female here will specify an experience …

This thesis aims to understand protofeminism in early modern European art by examining
the lives and works of three women artists: Levina Teerlinc (1520-1576), Sofonisba …