We describe the development of a new ubiquitous music metaphor for creative action
involving the use of hand gestures, Handy. The metaphor was deployed through two proof …

This volume features a diversity of proposals gathered around the current efforts in
ubiquitous music (or ubimus) research. Three papers provide contributions to timbre …

​ Originally composed by Marcello Messina,​ Ntrallazzu is a cycle of pieces for live score
and electronics built on Max, and involving various instrumental line-ups. In particular,​ …

This paper aims to expand the research on ecological synthesis models (KELLER, 1999)
through the inclu-sion of improvisation practice. We propose a formalization of creative …

We tackle the creative development of a soundtrack for a video-dance artwork entitled​
Atravessamentos​. Our exposition follows two strands: 1) The processes of creative sharing …

The present volume features a selection of works presented at the recent Brazilian
Symposium on Computer Music held in São Paulo (SBCM 2017). The contents have been …

This paper explores the emerging initiatives in ubiquitous music research that employ
anticipatory systems. We provide a short introduction to the ubimus field, highlighting the …

'Sound, Image and Motion'(SIM) is a unique interdisciplinary programme in Brazilian higher
education, blending visual arts, audiovisual and sound creation. We start with a brief …

Las prácticas creativas basadas en cognición ecológica conforman una de las líneas
consolidadas dentro de la investigación en música ubicua (ubimus). Su fuerte relación con …

Universidade Federal de Uberlândia| Brasil música ubíqua (ubimus) surge da necessidade
de ampliar a pesquisa nas práticas criativas para atender as demandas de participantes …