'But do I care? No, I'm too old to care': authority, unfuckability, and creative freedom in Jane Campion's authorship after the age of sixty

J Erhart - Studies in Australasian Cinema, 2019 - Taylor & Francis
The twenty-first century has seen an increase in scholarly interest in the discursive
construction of women film practitioners, yet much of this literature focusses on women at the …

Teenage Pregnancy, Contagion and Affect in European Girlhood Cinema by Women

J Franco - Open Screens, 2020 - openscreensjournal.com
In this essay I explore a cluster of recent female-authored European art films from different
national contexts that draw on pregnant embodiment as a hyperbole of contagion reclaimed …

The Cinepoetry of Shirin Neshat's Women Without Men: Female Histories and the Cinematic Space of the Garden

M Antic - Cinematic Homelands: The Cultural and Gendered …, 2024 - Springer
This chapter,“The cinepoetry of Shirin Neshat's Women Without Men: Female histories and
the cinematic women's space of the Garden,” provides an analysis of Shirin Neshat's film …

'Post goblins' and 'preditors': identities, experiences, and contributions of women in Australian screen postproduction and visual effects sectors 2020/2021

J Erhart, K Dooley - Studies in Australasian Cinema, 2022 - Taylor & Francis
The first 20 years of the twenty-first century have seen a flourishing of research about
women film and media creatives, their industrial positioning, and media output in industries …

Cinematic Homelands

M Antic - Springer
Since September 2022, when mass protests erupted in Iran in reaction to the tragic death of
a young Kurdish woman, Mahsa Jina Amini, who was arrested in Tehran for wearing her …

To Present a Female Body in Documentary Film A Study of My Body (Olin 2002)

LÅ Harviken - 2023 - ntnuopen.ntnu.no
This paper consists of an examination of how the female body is depicted according to the
male and female gaze in feminist film theory, and further discuss their relation to the …

Manufactured memory and the still photograph: Agnès Varda's short films Ydessa, les ours et etc… (Ydessa, The Bears and etc…) (2004) and Ulysse (1983)

J Erhart - Short Film Studies, 2022 - intellectdiscover.com
This article explores how Agnès Varda's short films Ydessa, les ours et etc…(2004) and
Ulysse (1983) examine the role of the photograph in relation to memory and the past …

[PDF][PDF] Beyond the Voice of Egypt: Reclaiming Women's Histories and Female Authorship in Shirin Neshat's Looking for Oum Kulthum (2017)

M Antic - European Journal of Life Writing, 2021 - academia.edu
By drawing on postcolonial feminist discourse and Hamid Naficy's (2001) notion of
'accented'cinema, in particular his approach of combining the interstitial position of exilic and …

13.“MY BODY FOR A HAND OF POKER”: THE BELLE STARR STORY IN ITS CONTEXTS

EL Mock - Women in the Western, 2020 - books.google.com
It is nothing new to say that the Western is a male-dominated genre, measured by its
practitioners, presumed audiences, and the characters it represents. However, the genre …

Women Filmmakers: Gillian Armstrong

J Erhart - The International Encyclopedia of Gender, Media …, 2020 - Wiley Online Library
When she directed My Brilliant Career in 1979, Gillian Armstrong became the first woman to
make a feature film in Australia in over 40 years. Today, she is a commercially successful …