[图书][B] Shakespeare on Film
M Hindle - 2015 - books.google.com
An approachable guide to Shakespeare on film, this book establishes the differences
between stage and screen. It covers the history of Shakespeare on the screen since 1899 …
between stage and screen. It covers the history of Shakespeare on the screen since 1899 …
Skin/aberrance
A Kowalcze-Pawlik - SHAKESPEARE/NATURE, 2024 - torrossa.com
Downing Cless discusses1 'A Midsummer Night's Dream and The Tempest'as 'two most
nature-laden plays' of Shakespeare and posits that in the absence of immediate literary …
nature-laden plays' of Shakespeare and posits that in the absence of immediate literary …
Female Prospero: Analysis of Change of Gender in Julie Taymor's the Tempest (2010)
Z Sadeghi - Quarterly Review of Film and Video, 2020 - Taylor & Francis
Julie Taymor's cross-gender casting is neither new nor shocking in any sense since this
choice of change in Prospero's gender can be seen in theatrical productions produced …
choice of change in Prospero's gender can be seen in theatrical productions produced …
'Cloud Capped Towers' Made of Sand: Dissolving Barriers to Female Authorship in Julie Taymor's Tempest
P Gilreath - Adaptation, 2022 - academic.oup.com
Julie Taymor's 2010 film adaptation of William Shakespeare's The Tempest raises questions
about how adaptation theory and film authorship are often constructed along perceptions of …
about how adaptation theory and film authorship are often constructed along perceptions of …
Marginal Profits through Monstrosity: Video Representations of Caliban and Nicki Minaj
S Jensen - Monsters in Society: An Interdisciplinary Perspective, 2014 - brill.com
Though there are many not-quite-human characters in The Tempest, only one is called a
monster: the colonised 'savage and deformed slave'Caliban. Referred to as a slave and a …
monster: the colonised 'savage and deformed slave'Caliban. Referred to as a slave and a …